Interior — Bundenko productions

ready artworks for collection from Catalog:

The Nature of Time. A fluid mass of connections in which the constant data aggregation and operation of complex algorithms pervades all aspects of life. Welcome to the age of systems where enormous amounts of data from Nature, the World and us in it are constantly being collected and processed, everyday generating endless content of posts, messages and digital traces into the structure of complex networks. All of this is collected and crystallized through the prism of algorithm operation, defining the current actual basis for understanding the world and the information in it. It is a fluid mass of connections that gathers reality into hyperscales, morphically and autopoetically forming systems of chains and boundaries, pairings and alienations, accumulations and captures, multiplicities and singularities, objects and their dissolutions into complex intersections of systems. Creating a reality in which the constant data aggregation and operation of complex algorithms permeates all aspects of life. The Language of Time. The language of algorithms performance. There are two neural networks in operation, the first determines the style maps of the entity, the second begins to discover and determine the patterns from random noise or other image. Each iteration of the algorithm is a correction, cutting the error, getting closer to the necessary style maps (understood by the first algorithm of the entity), until the error is reduced to a minor one. This explains the nature of blurs and traces of data smudges. This is how the algorithm works. This language is very important to me, because it is a language of the future, given in the present but not yet able to describe itself aesthetically, so that it can be characterized and determined. It is the language of algorithms at their technical level of functioning. Their understanding of the world in the intersection of complex processes, representations of entities and data about them, style maps and their correlations. The visual trace of such a language reshapes the rules of how objects and entities, the biological and the technological, the Natural and the New Natural, can be perceived.